Fabian Perez figurative painting thegallerist.art

Paintings by Fabian Perez

Figurative paintings by Fabian Perez. For him, the purpose of art is to perpetuate beauty. “That is what I am always striving for. God created the world and embellished it with the wonders of nature. I think it is the artist’s job to embellish it with his work.”

Born in 1967 in Buenos Aires, Argentina, Fabian Perez had a difficult childhood. His father owned bordellos and nightclubs that were illegal. He also was a gambler. To this day, Fabian remembers the police coming to their home looking for his father who would try to escape through the back door. “So many times he went to jail. I remember when I was very young going to police stations and looking for him.” Eventually his father gave up the business, lost everything and lapsed into depression. Meanwhile, Fabian’s mother, who was artistic herself, encouraged her son to develop his aptitude for art. From an early age he loved to draw and she would proudly display these endeavors.

It is imagery from his past that he draws from in his painting, his father his inspiration. He is the cool guy outside the nightclubs and bordellos in Fabian’s images. And the women are his memories of those he saw at his father’s brothels and nightclubs—their somber mood, brooding thoughts and intense sensuality emanating from his canvases. But that is now. For several years after his parents died, his mother when he was 16, his father when he was 19, he lived as a gypsy. The sadness and despair he experienced left him confused and searching for answers. It was in martial arts that he found an inner strength. He immersed himself in the discipline.

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Idealism and Theory of the Forms


Idealism and Theory of the Forms

One of the questions that has faced and continues to face some of the philosophers of the world is ‘What is reality?’ Plato addresses this question in his doctrine, the Theory of Forms. In an attempt to answer this question, he explains what the Forms are and how they affect the way the world is observed. These so-called Forms are the basis of the reality we perceive. The question one must ask him or her self is what are these forms, where do they come from, and how do they affect us as a society.’ A Platonic Form (Idea) is not a thought in someone’s mind but something that exists per se as an immutable part of the structure of reality.’

Allegory of the cave
This statement is the foundation of Plato’s philosophy. He believed that besides the material world we live in and of which we experience; there is another world, an eternal world of concepts, or Forms. This eternal world is more real than the world we experience through the senses (or Empirical knowledge – knowledge based on our senses), and it is the object of knowledge, pure knowledge, not opinion. What Plato means by the Forms is that they are the essential archetypes of things, having an eternal existence, apprehended by the mind, not the senses, for it is the mind that beholds “real existence, colorless, formless, and intangible, they are behind the way we see the world. In other words, they control the images and ideas that are presented to us.

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