Michael Flohr attended the Academy of Art College in San Francisco, experimenting with all disciplines and styles. In his final year he was accepted into the prestigious New York Society of Illustrators, joining such luminaries as Norman Rockwell, N.C. Wyeth and Maxfield Parrish.
He took his degree in 2000. Three of his student works were selected for exhibition at San Francisco’s M.H. de Young Memorial Museum in Golden Gate Park, the city’s oldest public art museum. After graduation, Michael Flohr travelled extensively in Europe. In Rome, a candlelit exhibition of Monet’s work left a lasting impression. He also studied the work of Manet, Pisarro, Degas, and Toulouse-Lautrec.
Back home he synthesized all this powerful input into his own unique style. Flohr’s style has been described as a combination of avant-garde, abstract expressionism and impressionism. “I love the colours of Cezanne,” says Flohr, who also favours pure pigment straight from the tube.
He can be seen around town in nightclubs, bars and cafes, sketchbook in hand, capturing the shifting colours and dynamics of people as they mingle and interact. “I do not work with models. I prefer to sketch ‘in the moment’ as a scene unfolds…” reports Flohr.