Victoria Stoyanova painting

Paintings by Victoria Stoyanova

Born on May 23, 1968 in Sofia (Bulgaria), talented artist Victoria Stoyanova has created a gallery of fantasy paintings reflecting the mystery of female beauty. According to her biography, before starting her artistic career in 1997 Victoria worked very successfully as a fashion designer. In her colorful paintings she sets light and darkness in harmony, and here human warmth and wisdom dominate. Somewhat kaleidoscopic, her technique is harmonious change of light and darkness, colors and plots, where the human body is always in the forefront. Victoria’s paintings revere old traditions, a hint of long-standing wisdom and reproach to modern aesthetics, which appeared at the end of the XX century.

She says that, beauty and music are around us. “You just have to open your eyes, bring beauty to your heart and learn to share it with others. If more people started looking for beauty in the world around us, then this would be the best place for a happy life. Rain and puddles will be a nuisance for you until you make an opening for yourself: looking at a puddle you will see a beautiful sky …. Then you realize that this is a magic mirror”. Victoria Stoyanova

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Idealism and Theory of the Forms

Idealism and Theory of the Forms

One of the questions that has faced and continues to face some of the philosophers of the world is ‘What is reality?’ Plato addresses this question in his doctrine, the Theory of Forms. In an attempt to answer this question, he explains what the Forms are and how they affect the way the world is observed. These so-called Forms are the basis of the reality we perceive. The question one must ask him or her self is what are these forms, where do they come from, and how do they affect us as a society.’ A Platonic Form (Idea) is not a thought in someone’s mind but something that exists per se as an immutable part of the structure of reality.’

Allegory of the cave
This statement is the foundation of Plato’s philosophy. He believed that besides the material world we live in and of which we experience; there is another world, an eternal world of concepts, or Forms. This eternal world is more real than the world we experience through the senses (or Empirical knowledge – knowledge based on our senses), and it is the object of knowledge, pure knowledge, not opinion. What Plato means by the Forms is that they are the essential archetypes of things, having an eternal existence, apprehended by the mind, not the senses, for it is the mind that beholds “real existence, colorless, formless, and intangible, they are behind the way we see the world. In other words, they control the images and ideas that are presented to us.

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