Nicole Roumelioti, a young artist from Greece, showcases life on canvas through the purity and beauty of the male and...Read More
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Welcome to a place where art, philosophy and mythology come together.
“Not Christian or Jew or Muslim, not Hindu
Buddhist, sufi, or zen. Not any religion
or cultural system. I am not from the East
or the West, not out of the ocean or up
from the ground, not natural or ethereal, not
composed of elements at all. I do not exist,
am not an entity in this world or in the next,
did not descend from Adam and Eve or any
origin story. My place is placeless, a trace
of the traceless. Neither body or soul.
I belong to the beloved, have seen the two
worlds as one and that one call to and know,
first, last, outer, inner, only that
breath breathing human being.”
Leonid Afremov (born 12 July 1955 in Vitebsk, Belarus – Died August 19th 2019 , Playa Del Carmen, Quintana Roo, Mexico) is a Russian–Israeli modern impressionistic artist who works mainly with a palette knife and oils. He developed his own unique technique and style which is unmistakable and cannot be confused with other artists. Afremov is mainly known as being a self-representing artist who promotes and sells his work exclusively over the internet with very little exhibitions and involvement of dealers and galleries.
One of the questions that has faced and continues to face some of the philosophers of the world is ‘What is reality?’
Plato addresses this question in his doctrine, the Theory of Forms. In an attempt to answer this question, he explains what the Forms are and how they affect the way the world is observed. These so-called Forms are the basis of the reality we perceive. The question one must ask him or her self is what are these forms, where do they come from, and how do they affect us as a society.’ A Platonic Form (Idea) is not a thought in someone’s mind but something that exists per se as an immutable part of the structure of reality.’
This statement is the foundation of Plato’s philosophy. He believed that besides the material world we live in and of which we experience; there is another world, an eternal world of concepts, or Forms. This eternal world is more real than the world we experience through the senses (or Empirical knowledge – knowledge based on our senses), and it is the object of knowledge, pure knowledge, not opinion.
What Plato means by the Forms is that they are the essential archetypes of things, having an eternal existence, apprehended by the mind, not the senses, for it is the mind that beholds “real existence, colorless, formless, and intangible, they are behind the way we see the world. In other words, they control the images and ideas that are presented to us. Read more
An elf (plural: elves) is a type of humanlike supernatural being in Germanic mythology and folklore. In medieval Germanic-speaking cultures, elves seem generally to have been thought of as beings with magical powers and supernatural beauty, ambivalent towards everyday people and capable of either helping or hindering them.
However, the details of these beliefs have varied considerably over time and space, and have flourished in both pre-Christian and Christian cultures. The word elf is found throughout the Germanic languages and seems originally to have meant ‘white being’. Reconstructing the early concept of an elf depends largely on texts, written by Christians, in Old and Middle English, medieval German, and Old Norse. These associate elves variously with the gods of Norse mythology, with causing illness, with magic, and with beauty and seduction.
After the medieval period, the word elf tended to become less common throughout the Germanic languages, losing out to alternative native terms like Zwerg (“dwarf”) in German and huldra (“hidden being”) in Scandinavian languages, and to loan-words like fairy (borrowed from French into most of the Germanic languages). Still, beliefs in elves persisted in the early modern period, particularly in Scotland and Scandinavia, where elves were thought of as magically powerful people living, usually invisibly, alongside everyday human communities. Read more